Artist Bio

(Bio as of April 2016)

Catherine Zuber returns to the Goodman, where she previously designed Heartbreak House and The Light in the Piazza (also on Broadway, Tony Award). Additional Broadway credits include The Father; Fiddler on the Roof; The King and I (Tony Award); Gigi; The Bridges of Madison County; Outside Mullingar; Macbeth; The Big Knife; Golden Boy; Dead Accounts; An Enemy of the People; On a Clear Day You Can See Forever; Born Yesterday; How to Succeed in Business Without Really Trying; Elling; Women on the Verge of a Nervous Breakdown; Mrs. Warren’s Profession; Oleanna; The Royal Family (Tony Award); Joe Turner’s Come and Gone; Impressionism; A Man for All Seasons; Cry-Baby; South Pacific (Tony Award); Mauritius; The Coast of Utopia (Tony Award); Awake and Sing! (Tony Award); In My Life; A Naked Girl on the Appalachian Way; Doubt; Little Women; Dracula; Frozen; Dinner at Eight; Twelfth Night; Ivanov; Triumph of Love; London Assurance; The Rose Tattoo; Philadelphia, Here I Come!; The Sound of Music and The Red Shoes. Off-Broadway credits include designs for New York Theater Workshop, Theater for a New Audience, The Public Theater, Brooklyn Academy of Music, Playwrights Horizons, Roundabout Theatre Company and Second Stage Theatre, among many others. Regional credits include work with the Kennedy Center, Hartford Stage, the Stratford Festival, Shakespeare Theater, Center Stage, La Jolla Playhouse, American Repertory Theatre, Seattle Repertory Theatre and the Guthrie Theater. Opera credits include Il Barbiere di Siviglia, Doctor Atomic, Le Comte Ory, Les Contes d’Hoffman, L’Elisir d’Amore and Otello (Metropolitan Opera) and Carousel, Il Barbiere di Siviglia and Romeo et Juliet (Lyric Opera of Chicago).

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