- Tickets
- Memberships & Season
- Engage & Learn
- Your Visit
- Support
- Artists
- About
- Accountability
- Ticket Donation Requests
- Financials
- Rentals at the Goodman
- Our History
- Staff & Leadership
- Join the Goodman
- Press Room
- 2024-2025 Season
- 2023 – 2024 Season
- 2022 – 2023 Season
- 2021 – 2022 Season
- 2019 – 2020 Season
- Hershey Felder as Irving Berlin
- Goodman Gala
- A Paris Love Story
- Bernhardt Hamlet
- The Santaland Diaries
- American Mariachi
- School Girls; Or, The African Mean Girls Play
- Molly Sweeney
- graveyard shift
- Roe
- 42nd Annual Production of A Christmas Carol
- Dana H
- Daughter of a Cuban Revolutionary
- New Stages Festival 2019
- 2018 – 2019 Season
- 2017 – 2018 Season
- 2016 – 2017 Season
- 2015 – 2016 Season
- 2014 – 2015 Season
- About the Goodman
Artist Bio
Nigel O’Hearn
(Bio as of June 2023)
Nigel O’Hearn’s plays have been produced in Edinburgh and New York as part of the International Fringe Festivals there, Chicago, and at various theaters in his hometown of Austin, Texas. From 2009-2012, Nigel served as the artistic director and resident playwright of Palindrome Theatre in Austin, which produced his adaptation of Accidental Death of an Anarchist (best comedy nomination, 2012-2013 Austin Critics Table), his adaptation/translation A Hedda Gabler (finalist, 2012 International Ibsen Festival, National Theatre of Norway), and the Equity workshop premiere of his play The Attic Space. In early 2014, Nigel moved to Chicago, where his productions include: “they”: a lamentation (Chicago Fringe Festival); Circle Machine – an adaptation of Chuck Mee’s Full Circle, co-written with Emma Stanton and Thom Pasculli (Oracle Productions); An Alliance of Brats, an adaptation of Ibsen’s The League of Youth (Illinois State University and Heartland Theatre Company, Normal, Il); and A Hedda Gabler (Red Tape Theatre), which saw its fifth production at Wichita State University this past November. Nigel received an MA from the University of Chicago, where he was an Arts, Sciences, and Culture Graduate Collaborative Grant recipient for co-developing a scientific study that gauged the cognitive impact of reading poetry on Alzheimer’s patients and their primary caregivers. Nigel’s most recent play, Song We Forgot to Sing: a play in several scenes and poems, is a verse dramatization of that study process, which received an Equity reading at the Logan Center in 2017.