- Tickets
- Memberships & Season
- Engage & Learn
- Your Visit
- Support
- Artists
- About
- Accountability
- Ticket Donation Requests
- Financials
- Rentals at the Goodman
- Our History
- Staff & Leadership
- Join the Goodman
- Press Room
- 2024-2025 Season
- 2023 – 2024 Season
- 2022 – 2023 Season
- 2021 – 2022 Season
- 2019 – 2020 Season
- Hershey Felder as Irving Berlin
- Goodman Gala
- A Paris Love Story
- Bernhardt Hamlet
- The Santaland Diaries
- American Mariachi
- School Girls; Or, The African Mean Girls Play
- Molly Sweeney
- graveyard shift
- Roe
- 42nd Annual Production of A Christmas Carol
- Dana H
- Daughter of a Cuban Revolutionary
- New Stages Festival 2019
- 2018 – 2019 Season
- 2017 – 2018 Season
- 2016 – 2017 Season
- 2015 – 2016 Season
- 2014 – 2015 Season
- About the Goodman
Artist Bio
Scott Bradley
(Bio as of January 2022)
Scott Bradley (Set Designer) returns to the Goodman, where he first worked on The Baltimore Waltz in 1993, followed soon after by the original production of The Notebooks of Leonardo da Vinci. Other Goodman credits include Journey to the West, Silk (Jeff Award for Best Set Design), I am a Man, Ma Rainey’s Black Bottom, The Dreams of Sarah Breedlove, Rabbit Hole and Seven Guitars, which transferred to Broadway and earned the New York Drama Desk Award and a Tony nomination for Best Set Design. Other Chicago credits include Slavs!, Dead Man’s Cell Phone and the world premiere of Steve Martin’s Picasso at the Lapin Agile (Steppenwolf Theatre Company). New York credits include August Wilson’s Joe Turner’s Come and Gone (Barrymore Theatre) on Broadway in 1988 and Sarah Ruhl’s Eurydice (Second Stage Theater). Regional credits include His Eye is on the Sparrow (Portland Center Stage), Pride and Prejudice (St. Louis Repertory Theater) and Fun Home (Baltimore Center Stage).